A Movie Date With Myself

I love going to the movies. A small contingency of Wildcards would enjoy weekly “$5 Movies” on Wednesday nights at the local theater. We still do on occasion, but now that some of us have moved, and life has gotten busier and more “adult-like”, it’s been harder to make Wednesday night (sometimes any night) work.

As an experiment of sorts, I recently went to the movies by myself. I’ve always liked the idea of being brave enough to go alone while simultaneously thinking it’s weird to go to the movies without someone else. Also, I have social anxiety mixed with a desire for a stronger self-identity, so it seemed like a great idea to stretch my comfort zone and gain a little autonomy.

I chose the movie Gifted with Chris Evans and Octavia Spencer (because I just adore both of them), and decided to see to in the early afternoon on a Sunday, when the theater theoretically would be less crowded.

The theater I went to lets you choose your seat when you buy the ticket. I always try to sit dead-center in the theater, usually in the middle of the group I’m with. My instinct this time was to snag a seat in the back row, so no one could sit behind me and judge how alone I looked. However, the back row was all taken. And since there was no group to keep me feeling like my edges were protected, I defaulted to an end seat for an easy escape from those prying eyes I was sure would be judging my every solitary move.

Now, even though I’d just had lunch, I stopped at the concessions for my usual order of popcorn and bottled water. This is defensive mechanism two (or three if you’re counting my seat-choice-strategy as two moves), performing a familiar habit in an unfamiliar setting. Plus, munching popcorn could give me something to focus on other than wondering what that back row is thinking about the weird loner on the end near the front. Concessions roadblock: there were only two popcorn sizes — regular and large — and I usually get the itty bitty “junior” size at my usual movie spot. Of course, a rational person might have simply asked if they offer a kid’s size, but remember — social anxiety! I ordered my ridiculously large “regular” and strutted as confidently as possible up the stairs in search of my theater.

Even though the lights were up and shining like a freaking spotlight on my lonely little self, and the people in the back were whispering and giggling, I settled into my seat as casually as I could. I allowed myself one text to my husband letting him know I’d survived thus far, then put my phone away (this is something I’m working on in general, to not depend on my phone in “vulnerable” social situations).

The lights went down and I relaxed. For two blissful minutes, I settled deeper into my seat and focused on the previews.

Then an older couple came and sat right next to me. Right. Next. To me. No buffer seat. It didn’t make sense. Literally the entire theater, other than the back row, was open — which they would have seen on the screen when they bought their tickets — but they chose the seats directly beside the one single person. My heartrate kicked up a notch, but I realized I was more annoyed than anything.

It did make me a little more conscious of myself throughout the movie, if I laughed at something they didn’t, when I had to brush tears from my eyes. I’d get brief anxious whispers: what if that was rude to laugh at? What if they’re judging me? However, the movie itself was so good, I kept getting sucked back in, until the next moment I’d giggle or sniffle and remember I wasn’t quite as “alone” as I might have liked.

The high that carried me home was fantastic. I’d done this brave, out of character thing that turned out overall pretty great. I felt fearless and confident.

Now, when I think about trying it again, that familiar anxiety rears its head, but I’m able to remind myself I survived it once. Even better, it didn’t feel like I just “survived”; I felt — for a little while at least — almost invincible. It’s worth the fear to give it another go.

Rambling Reviews: These Vicious Masks

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Do you like the X-Men series? Do you like Victorian England? If not, this is not the book for you.

If, like me, you are intrigued, then let me tell you about These Vicious Masks by Tarun Shanker and Kelly Zekas.

I became so hooked on the characters and their stories I immediately downloaded the sequel (These Ruthless Deeds) and let me tell you, this series does not disappoint. There are terrifying and clever powers, an explanation for such powers that is plausible yet not overly explained, and interesting characters who wield said powers. You’ve got a heroine who grapples with what it is to be a “hero” (and one might argue she doesn’t quite live up to the title) while stopping at nothing to reunite with her sister. You’ve got a charming suitor and a mysterious, brooding gentleman — Jane Austen would swoon — who trap our heroine in a delicious love triangle. Dangerous escapades and comic misadventures balance well throughout the novel, making for a quick and enjoyable read.

The writing is not flawless, and some things seem to wrap up too neatly, but nothing that sticks out as blaringly awful or even memorable once the story is through.

I adored the ending of the sequel. I won’t say anymore than that because I’ve tried wording my feelings a dozen times and I can’t figure out how to convey my thoughts without somehow spoiling it or creating an expectation that I did not have going into it, so I will leave it at that. It was fascinating.

The first book is $4.22 for paperback, $7.09 on Kindle ($14.89 for both books on Kindle). I highly recommend checking them out!

Rambling Review: 13 Reasons Why

*UPDATED WITH FINAL THOUGHTS*

Ok full disclosure again: this is not a book review. I did *almost* purchase the book from Barnes and Noble two months ago, but then saw it was soon to be a Netflix show and decided to save my dollars because Netflix has really impressed me with their original shows and adaptations (see: A Series of Unfortunate Events).

I just started watching the show and I’ve made it through four episodes. It’s wonderful. It has drama and mystery and heart-wrenching situations all around. I find myself feeling angry along with the narrator, then so sad for those who she claims has ruined her lives. It makes me think of my own interactions, even now, long after high school, and how one little look or joke or terse word could so adversely affect someone. It looks at how interconnected we are all, whether we acknowledge it or not.

I’m pretty glad I decided to wait for the show, because I have a terrible habit of harshly judging the movie/tv version of a good book. Now, I can enjoy the twists and turns without sighing or complaining “that’s not like the book!”. I do still want to read the book, and this way, I know I won’t stay up reading it all night to find out the next reason. I’m frustrated by the pace of the main character moving through the tapes, because I’m a binge-watcher/reader/listener. It doesn’t detract from the show (though I do appreciate the characters who point out how long he’s taking) — and I think it would have detracted from my enjoyment if I were reading, because I would devour the book too quickly. With episodic shows (and a husband who interrupts my binge sessions with things like “walks” and “dinner” and “the March Madness Championship”), I’m able to slow down (a little bit) and digest a chunk of episodes before plunging ahead.

As it handles a teenager’s suicide, I think the show does a good job of showing how different people are affected. The parents and their relationship, the careful, “be sympathetic but cover our ass” approach by the school, all the different students processing (their selfishness, their guilt, their callousness, their pain) all feels authentic to me. The mom is so well-played; I’ve loved Kate Walsh since her days as Addison Montgomery-Shepherd in Grey’s Anatomy, but her performance is raw and achingly beautiful as a mom coming apart at the seams, just trying to understand, to find some sort of justice.

As I’m not even halfway through, I’ll reserve full judgment until I’ve reached the end, but so far, I would highly recommend this show.

Updated–

I blew through the last few episodes. The last four made me cry for different reasons (PS — I tend to cry a lot over good books/movies/shows/songs/art). They were very emotional and intense, and I would definitely say they should come with a “trigger warning” for anyone struggling with issues like self-harm/suicidal ideation/depression/etc. Or if your life has been touched by these, it can be hard to watch.

Immediately after watching, I still felt this was a well-done show. There was some discussion online about the possibility of a Season 2, but I like to think that — much like real life — some things are left unanswered or at the very least not tied up perfectly in a nice little bow. I felt hollow and sad for how many lives had been changed, not all for the better, and I think the show does a great job of showing the ripple effect of one person’s actions, and how everyone’s lives intertwine.

However, I was shocked that there were only two “graphic scene” warnings, neither of which pertained to the episode in which the suicide actually occurred. There were no hotline phone numbers offered, or blurbs at the end of the episode advising viewers to seek help for themselves or loved ones struggling with thoughts of suicide or self-harm. In fact, in one scene, self-harm is explained away almost as a “healthy” alternative to suicide. The more I think over the show, the more I uncomfortable I get with recommending it. The most important subject matter is dealt with carelessly. There isn’t any discussion of mental health or how a person’s mental state affects how they process and respond to external issues. As one friend of mine pointed out, two people could experience the same bullying and respond in vastly different ways; if someone is already predisposed to negative self-talk and hopelessness, she will internalize her problems much differently than a healthy person. Yet the show never delves into any sort of examination of her mental state and blames her suicide fully on the actions of others, and makes it seem like the only option to avoid her problems.

I would strongly recommend viewers keep this in mind while watching. There are many aspects that I think are well-done and well-acted, but the mishandling of such an important issue as mental health awareness makes me hesitate to continue to recommend the show.

 

Killing Me Softly

How is it that a song can so perfectly capture a complete stranger’s heart? Phantoms drift through a soul, nameless but achingly present, without words to explain the ache or hope or love burning holes through a chest. Then a song will come on and suddenly it all makes sense. Every single lyric is a word plucked from within my heart, every description a tale of my own life.

Lyrics put words to the feelings inside, and the melody spells out in the clearest language the nuances of those feelings, of aches and dreams and faith and fear.

Avalanche by Amasic (originally by Bring Me The Horizon) kills me softly every time. It’s like all of my neurosis and darker days are spelled out in the straightforward yet anguished strums of the guitar.

If I want to dwell on the tragic beauty of the human condition, I can dive into We Fall Apart by We As Human. If I’m in the mood for a darker reflection, I’ll turn to the haunting and desperate Still Alive by Breaking Through.

Nothing reminds me of joy and hope and sunshine like Suburban Legends’ Bright Spring Morning. This song is fun and adventure and a reminder that I can roll down my windows, crank up the radio, and fly away.

I’m not very picky in my music tastes. I’ll listen to anything as long as it moves me in some way — even if just with a really catchy beat. Music infects every part of my life. There’s almost always some song playing on repeat in the back of my mind. If my playlist won’t load, I’ll have an extremely hard time at the gym or driving anywhere. It isn’t a road trip until I’ve rapped along to Forgot About Dre, it isn’t a party until someone starts belting out Don’t Stop Believing, and it isn’t a good writing day unless I’ve started with Waiting in the Moment. I think better with music playing, I write better to a soundtrack, cooking, cleaning, anything is better against a backdrop of tunes.

What about you? Share some of your favorite songs in the comments — I’d love to check them out!

The Safety in Art

Some people — my husband among them — turn to art for an escape. They like light-hearted movies, happily ever afters, comical adventures, feel-good music. Life is hard enough and sad enough and real enough that they look for leisure activities that distract from reality.

For me, the best art makes me feel everything. Happiness, joy, hope — but also devastation, loss, fear, rage. Is it strange that I feel most alive when I’m drowning in a good book or being ravaged by good music?

The first time I saw Titanic (at like twelve years old), I wandered around the house, limp and weepy, for days. My parents said that was why I shouldn’t have watched it — I was too young, I couldn’t handle the tragedy. They didn’t understand I was celebrating it. It was the first time my heart had been trampled by a fiction-wrapped truth, and I knew I would never be able to experience true art any other way.

I want my heart clawed from my chest, dragged over broken bottles and ruptured sidewalks, then buried under hot coals before it’s returned to me, encased in scar tissue but beating ever stronger because it has felt what it is to live. Life is the pain as much as it is the triumph. It’s the breaking as well as the growing. The terror and the joy and I want it all.

Maybe it’s (weirdly, inexplicably) safer to feel over art. In life, we have to express a certain measure of toughness. Can’t let them see me cry, can’t scream, can’t swear or rage or beat someone with a baseball bat. But in art, we can. Listening to the right song at the gym gets us running faster, shadow-boxing harder. If I come home with tears on my cheeks, it’s more acceptable to say “a song hit me really hard” than it is to admit “someone honked at me at the end of a long, boring day and it made me cry.”

So maybe art gives us all a safe haven. An excuse to delve beyond the surface, or a chance to hide beneath a blanket of distractions. Maybe for some, it’s enough to pick and choose the happy.

For me, I need it all.

Man’s Best Friend

My family experienced a terrible loss last summer: a vanquished king. My husband’s first (thus far only) dog–yes, El Rey Louis Dandy–passed away. A constant loving, grounding presence in most of my husband’s life, gone.

I started to write this not long after Rey passed, but it was too difficult.

The thing about dogs is their loss is always unexpected. No matter how you prepare, no matter how old and frail and sick, no matter the decisions a family makes out of love and sacrifice. Nothing prepares you for the shock of the loss. A dog spends such a short time on this earth — completely insignificant amount of time, in the grand scheme of things. If our lives equal a blink of an eye, a dog is the muscle twitch preceding the blink. Most of our life is consumed by everything and nothing; rarely do we give huge chunks of it to our pets. For them, though, we are everything. Every second of their short life is focused on their owner. Where is he? Does she want to play? Will she rub my belly? Can I get him to share his food?

If you’ve ever been around a dog, you know what love looks like. A dog is content to sit and stare at you. I imagine they think things like “look at him, he’s so beautiful.” or “She’s mine and I just love her so much.” You’ve seen their tail start to thump the ground if their owner casts them a brief glance, their ears twitch at the sound of his voice.

They don’t seem to register rejection, or annoyance, or anger. They’ll skulk away for a moment, sure, but then they realize they aren’t with the love of their stupidly-short life and come trotting back to let you shoo them away again. They stare out the window or at the solid front door, always waiting, yearning, hoping for you to return.

I’ve known a dog to smile — teeth bared, breath snorting, tail furiously wagging — when anyone she loves walks into the room. I’ve known one to leave his treat beside my pillow, a Valentine’s Day gift. I’ve known one to follow you around and drop a ball at your feet and stare, waiting as long as it took for you to toss it for him. And he’d follow you still, with his big, brown, love-filled eyes, even when you never threw the ball. When I was small, our German Shepherd would lay perfectly still so I could use her as a pillow or a seat.

Dogs are selfless and glorious and perfect. And as much as it hurts to lose them, it would be sadder still to never love one.

Have you ever watched YouTube videos of food on mute because you’re hungry and the day is dragging?

That’s pretty much how my week has been. I just discovered Binging with Babish and I cannot. stop. watching. food.

And now all I want is a burger, like immediately.

Yes, this post is mostly just a video of some dude cooking the Pulp Fiction burger, which is unfortunate for my first post of 2017, but it’s been a long few days back at work, and I’m exhausted.

Plus, one of my resolutions is to quit apologizing for being who I am. So even though I’m a little lazy, I am who I am and I’m not going to apologize.

This is me, 2017! It’s the year of loving my flawed self.

Did you make any resolutions this year? I’d love to hear them!