I’ve been writing a lot lately, which is really great except that pretty much all my creative juices are going into my story and I have nothing left over for this blog. That makes me feel guilty, because this blog is a commitment to myself as much as it is entertainment for my readers, so I’m sorry for being a little more absent lately. It’s for a good cause.
I recently read Girl, Wash Your Face by Rachel Hollis and it was really freaking good. So many of the chapters resonated with me, but the part that stuck with me the most was about how easily we tend to flake on ourselves. I really hate the idea of being seen as flaky — I used to have a problem saying no, then feeling really bad when I had to cancel last minute. Now, I’ve learned to only agree to things I’m confident I can see through, and to be honest with myself and my friends if I can’t manage something, whether physically or mentally. Still, when it comes to making commitments to myself, I flake all the time. It’s as if I don’t matter to myself as much as literally anyone else — and that’s something else I’m becoming more aware of. I need to value myself and my time.
Another thing she said — which I’ve written out and taped to the ceiling over my bed — is that no one else has power over your dreams. Only you can decide to give up. And, in case her readers still need to hear it from someone else, Rachel says “You do not have permission to give up on your dreams!”
Writing is hard and exhausting and exhilarating. This time, when I sat down, I looked at why I keep giving up sporadically. I am 100% an editor-writer. I struggle with getting a first full draft written because I constantly reread what I’ve already written and tweak and change and start again. This time, I refused to do that.
This time, I start writing around where I left off the day before. If I don’t remember for sure where that is, I’ll jot a brief summary of what I think that last scene was before jumping in. If I can’t think of a name or term, I write (X) and keep moving. If I can’t think of anything amazing, I will write what literally needs to happen.
He says something else that makes me laugh, and I feel a little better.
When I *finally* get to turn my editor brain on (draft 2, and not before), I will have so much fun re-imagining the scene over and over until I know exactly what he says that makes the character laugh, and I’ll be able to show her feeling better about their situation. For now, I’m writing a first draft full of placeholders.
It’s the only way I know how to get to the end of a fully formed book. In the past, I’ve left bullet points or synopses before moving on, but to me, that doesn’t count as finished. This way, the story may be full of shoddy writing, but it will be a fully formed story nonetheless.
So that’s what I’m up to. I’ll try to get a few more posts in here and there, but for the most part, I’m committing to the characters I’ve been following around for almost five years now. I owe it to them — to me — to get a full version of their story on paper.